RED Mysterium X SONY F3 ARRI ALEXA Plus
Canon 7D EOS Ronford-Baker Tripods RED Prime Lenses
Arri 435 ES Moviecam Compact MKII BOLEX REX-5
PANASONIC DVX-100 B
DVX-100 B 24P
PANASONIC DVX-100 B DVX-100 B 24P
• 480i/60 (NTSC), 480p/24fps, and 480p/30 fps
• 60i (525i) (30P, 24P or 24P advance)
• 4:3 and 16:9 letterbox modes
• 1/3-inch interline transfer type CCD x 3
• Sensitivity F11.0 at 2000 lux
• Leica DICOMAR with IS 10x f1.6 4.5 to 45mm
• In camera ND filters, 1/8ND, 1/64ND
• LCD monitor: 3.5-inch LCD color monitor, 210,000 pixels
• 6 x 9 anamorphic - letterbox and digital squeeze
• 5-1/2" x 6-5/16" x 14-3/8" (139 x 160 x 364 mm)
• 6.35 mm wide metal tape (mini DV cassette)
• Weight 4.19 Lbs
PANASONIC DVX-100 A
DVX-100 A 24P
PANASONIC DVX-100 A DVX-100 A 24P
• 480i/60 (NTSC), 480p/24fps, and 480p/30 fps
• 60i (525i) (30P, 24P or 24P advance)
• 4:3 and 16:9 Letterbox modes
• 1/3-inch interline transfer type CCD x 3
• Sensitivity F11.0 at 2000 lux
• Leica DICOMAR with IS 10x f1.6 4.5 to 45mm
• In camera ND filters, 1/8ND, 1/64ND
• LCD monitor: 3.5-inch LCD color monitor, 210,000 pixels
• 5-1/2" x 6-5/16" x 14-3/8" (139 x 160 x 364 mm)
• 6.35 mm wide metal tape (mini DV cassette)
• Weight - 3.7 Lbs
CANON GL-1
GL-1
CANON GL-1 GL-1
• Digital video format and IEEE 1394
• 3CCD
• Lens and optical image stabilization
• Shooting modes and aspect ratios
• Programmed auto exposure
• Shooting enhancements
• Picture adjustments
• Audio and video inputs/outputs
CANON GL-2
GL-2
CANON GL-2 GL-2
• Professional L-Series fluorite lens
• Genuine canon optics: 20X optical zoom lens
• 3 CCD with pixel shift technology
• Optical image stabilizer
• 1.7 Mega pixel still images [1100 x 1128]
• Audio and video inputs/outputs
• Digital video format and IEEE 1394 (DV in/out terminal)
• MultiMediaCard / SD memory card capability
CANON XL-1
XL-1
CANON XL-1 XL-1
• Digital video format and IEEE 1394
• 3CCD, interchangeable lens system
• Optical image stabilized 16X zoom lens
• SuperRange optical image stabilizer
• 3X Super wide-angle zoom lens
• EF adapter, magnesium alloy body
• 3 Shooting modes
• Top grip with recording controls
• Multi-View finder
• Programmed auto exposure
• Slow shutter
• EOS speedlite flash compatible
• Zebra pattern
• Microphone, four-channel digital audio system
• Prepared for balanced-type microphones
• Time code & data code
CANON XL-1 S
XL-1 S
CANON XL-1 S XL-1 S
• 3 CCD with pixel shift technology
• Shooting modes and aspect ratios
• SuperRange optical image stabilizer
• Audio adjustments
• Audio and video inputs and outputs
• Digital video format and IEEE 1394
• Interchangeable lens system
• Programmed auto exposure
• Shooting enhancements
• Picture adjustments
• Custom keys and presets
CANON XL-2
XL-2
CANON XL-2 XL-2
• 16:9 and 4:3 aspect ratio shooting formats
• Variable frame rates
• Customizable cine look
• Even greater 3 CCD performance
• Total image control
• XL Mount interchangeable lens system
• Fluorite zoom lens with optical image stabilization
• SMPTE time code
• Custom presets
• Professional audio connections
• Open architecture design
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.