RED Mysterium X SONY F3 ARRI ALEXA Plus
Canon 7D EOS Ronford-Baker Tripods RED Prime Lenses
Arri 435 ES Moviecam Compact MKII BOLEX REX-5
PANASONIC AG HVX
AG HVX-200 A or B
PANASONIC AG HVX AG HVX-200 A or B
• 1/3" 3-CCD 16:9 HD/DVCPRO/DV cinema P2 series camera
• 1080/60i 1080/24p 1080/24p 1080/30p
• 720p: 12 18 20 22 24 26 30 32 36 48 60 fps
• Stand def 480/60i 480/24p 480pA 480/30p
• 1/3" 16:9 progressive 3-CCD with 1080/60p scanning
• Zoom 4.2 to 55mm (35mm equivalent: 32.5 to 423)
• 2 x P2 card slots with hot swap capability loop pre-record
• New DSP with 14-bit A/D conversion
• Weight 5.5 Lbs
GOPRO HERO II
Out Door Edition
GOPRO HERO II Out Door Edition
• 1080p: 1920x1080, 30 fps
• 960p: 1280x960, 48FPS + 30 fps
• 720p: 1280x720, 60FPS + 30 fps
• WVGA: 848x480, 120FPS + 60 fps
• 11, 8, 5 MP sensor
• 1 /2.3" CMOS image sensor
• Light sensitivity: .84 V/lux-sec/ Auto WB
• Video format: H.264 codec, .mp4 file format
• FOV: Wide 170 FOV, medium 127 FOV
• Single, 10 photo burst, time-lapse*, self-timer
• SDHC: Up to 32GB (Class 4 or higher)
• Mini HDMI, 3.5mm stereo Mic port
• 2 x Sharper lens, LCD included, 2x faster processor
• (H x W x D): 1.6" x 2.4" x 1.2" (42mm x 60mm x 30mm)
• Weight 3.3 oz
GOPRO HERO
Surf Edition
GOPRO HERO Surf Edition
• 1080p: 1920x1080, (16:9) 30 fps
• 960p: 1280x960, (4:3) 30 fps
• 720p: 1280x720, 60FPS + 30 fps
• WVGA: 848x480, 60 fps
• 5 MP sensor
• 1 /2.5" CMOS image sensor
• Light sensitivity: (less than 1.4 V/lux-sec) / auto WB
• Video format: H.264 codec, .mp4 file format
• FOV: Wide 170 FOV, medium 127 FOV
• Single, 10 photo burst, time-lapse*, self-timer
• SDHC: Up to 32GB (Class 4 or higher)
• Mini HDMI, 3.5mm Stereo Mic port
• 2 x Sharper lens, LCD included, 2x faster processor
• (H x W x D): 1.6" x 2.4" x 1.2" (42mm x 60mm x 30mm)
• Weight 3.3 oz
SONY EX-3
PMW EX-3
SONY EX-3 PMW EX-3
• HQ 1920x1080/ 59.94i, 29.97P, 23.98P
• HQ 1280x720/59.94P, 29.97P, 23.98P/ SP 1440 x 1080/59.94i
• 3 chip 1/2" type "Exmor" Full HD CMOS sensors
• Sony 1/2" bayonet mount
• 14x 5.8 - 81.2mm f1.9 servo/man 31.4 - 439mm 35 equiv.
• Macro 800-8/ 50-8/ 75-8 with image stabilization
• Shutter angle: 180, 90, 45, 22.5, 11.25 degrees
• Shutter speed: 1/33 to 1/2000 seconds
• Built-in ND filter: OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Selectable gamma curves, slow-shutter, interval recording
• Picture profile feature
• Built in mic, LCD/ EVF
• 9.88"W x 8.25"H x 15.75"D with lens
• Composit, component, S-Video, XLR, TC out
• Weight 4.13 Lbs. (Body only)
SONY EX-1
PMW EX-1
SONY EX-1 PMW EX-1
• HQ 1920x1080/59.94i, 29.97P, 23.98P
• HQ 1280x720/59.94P, 29.97P, 23.98P/ SP 1440 x 1080/59.94i
• 3 chip 1/2" type "Exmor" full HD CMOS sensors
• Sony 1/2" Bayonet Mount
• 14x 5.8 - 81.2mm f1.9 servo/man 31.4 - 439mm 35 equiv.
• Macro 800-8/ 50-8/ 75-8 with image stabilization
• Shutter angle: 180, 90, 45, 22.5, 11.25 degrees
• Shutter speed: 1/33 to 1/2000 seconds
• Built-in ND filter: OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Selectable gamma curves, slow-shutter, interval recording
• Picture profile feature
• Built in mic, LCD/ EVF
• 9.88"W x 8.25"H x 15.75"D with lens
• Composit, component, S-Video, XLR, TC out
• Weight 4.13 Lbs. (Body only)
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.