RED Mysterium X SONY F3 ARRI ALEXA Plus
Canon 7D EOS Ronford-Baker Tripods RED Prime Lenses
Arri 435 ES Moviecam Compact MKII BOLEX REX-5
PHANTOM FLEX HS
High Speed Digital (coming soon)
PHANTOM FLEX HS High Speed Digital (coming soon)
• 10 - 750 fps at 640 x 480
• 5 - 2,570 fps at 1920 x 1080
• 10 - 1,455 fps at 2560 x 1600
• Capable 4:2:2 or 4:4:4 with external on board recorder
• Internal capping shutter with speeds (1/1,00,000 second)
• Dynamic range 12 stops
• HQ mode for ultimate image quality
• Raw digital and/or video workflow solutions
• Flexible lens solutions
• Weight 11.75 Lbs.
RED EPIC DRAGON
EPIC Dragon 6k
RED EPIC DRAGON EPIC Dragon 6k
• 300fps@ 2K/ 200fps @ 3K/ 150fps @ 4k
• 150fps @ 4.5K/ 120fps @ 5K/ 85fps @ 6K
• Resolution: 6000 x 4000
• Dynamic range 15 stops
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions
• S35 Aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 30mm(h) x 15.8mm(v) x 31.4mm (d)
• Pixel size 5 microns
• Weight 5 Lbs.
RED EPIC
Pro 5k Digital Camera
RED EPIC Pro 5k Digital Camera
• 300fps 2K/ 200fps 3K/ 150fps 4K/ 150fps 4.5K/ 120fps 5K
• 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• Resolution: 5120 x 2700
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• Weight 5 Lbs. (Body only)
ARRI ALEXA PLUS
High Speed w/ Anamorphic DeSqueeze
ARRI ALEXA PLUS High Speed w/ Anamorphic DeSqueeze
• High speed enabled 1 to 120 fps
• Anamorphic de-squeeze viewing system
• Frame rate .75 - 120 fps, adj with 1/1000 fps precision
• Shutter electronic 5.0 - 359.0 with 1/10 precision
• ASA 800 with 160 to 2560 EI (exposure index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 14 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• ARRI wireless 3D ready with lens synchronization
• ARRI LDS (Lens Data System) with built in motion sensors
• Internal SxS pro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs.
ARRI ALEXA EV
High Speed w/ Anamorphic DeSqueeze
ARRI ALEXA EV High Speed w/ Anamorphic DeSqueeze
• High speed enabled 1 to 120 fps
• Anamorphic de-squeeze viewing system
• Frame rate .75 - 120 fps, adj with 1/1000 fps precision
• Shutter electronic 5.0 - 359.0 with 1/10 precision
• ASA 800 with 160 to 2560 EI (Exposure Index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 14 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• Internal SxS rro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs.
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.