DIGITAL CINEMA
3-Dimensional
PANASONIC AG-3DA1
3D Digital Cinema
• 1080/60i, 50i, 30p, 25p and 24p (native)
• 720/60p and 50p in AVCHD
• 2 1920 x 1080 2.07 MP 3-MOS imagers
• Stereoscopic adjustment controls
• 5.6x Zoom, F1.8-F2.4 (4.2-23.5mm) 47.1-264mm
• Min focus 47.25" (1.2m), all zoom range
• Twin-lens full HD 3D camcorder with remotes
• Adjustable convergence point
• Captures AVCHD video to SD cards
• 3.2" Color LCD (approx 921,000 pixels), 16:9
• Color temp 3200K/5600K preset, Ach, Bch
• Dual HD-SDI out, HDMI (version 1.4)
• 2 x XLR connectors, built-in stereo microphone
• Power consumption: Under 19 W (Main unit only)
• Weight - 5.3 Lbs
GOPRO 3D HERO
3D Digital Cinema
• 1080p: 1920x1080, 30F fps
• 960p: 1280x960, 48 fps + 30 fps
• 720p: 1280x720, 60 fps + 30 fps
• WVGA: 848x480, 120 fps + 60 fps
• 2 HD HERO2* cameras, single housing
• 2 11, 8, 5 MP sensor
• 2 1 /2.3 inch CMOS image sensor
• A synch cable plugs into both HERO for 3D
• Mounting syst comp. with all GoPro acc.'s
• 3D waterproof housing rated 180'/60m deep
• Record 3D and 2D video, photo files simultaneously
• 3D editing software - GoPro CineForm studio
• HD-SDI: BNC (x2 output)
• HDMI: HDMI 1.4a (x1 output)
• Line/Mic: 3-pin XLR (x2 input)
• Headphone: 3.5mm mini (x1 output)
• Remote: 2.5mm x2, 3.5mm x1
• Weight - 3.3 oz
TECHNICA QUASAR
3D Rig System (coming soon)
• Eight axis of control
• Multiple lens options for cinema and broadcast
• Integrates into multicamera production situations
• Element tech mirror system
• ET filter box
• Weight - 36.6 Lbs
RED EPIC 3D
Pro 5k Digital Cameras (coming soon)
• 300fps@ 2K/ 200fps @ 3K/ 150fps @ 4k
• 150fps @ 4.5K/ 120fps @ 5K/ 85fps @ 6K
• Resolution: 6000 x 4000
• Dynamic range 15 stops
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module: (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 30mm(h) x 15.8mm(v) x 31.4mm (d)
• Pixel size 5 microns
• Weight - 5 Lbs
RED SCARLET X 3D
Pro 5k Digital Cameras
• 120fps 1k/ 60fps 2K/ 48fps 3K/ 30fps 4K/ 12fps 5K
• 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• 6 fps w 5K FF, HDRx On 12 fps w 4K HD, HDRx On
• Resolution: 5120 x 2700
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• REDLINK wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• PL mount or Al Canon EF mount optional
• Weight - 5 Lbs (Body only)
SPECIALTY
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
MEDIA/RECORDERS
AUDIO
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
ELECTRONIC GEAR
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
SUPPORT SYSTEMS
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.
