DIGITAL CINEMA
Broadcast
CANON EOS 1D C
EOS 1D C EF
• 4096 x 2160 4k 8-bit 4:2:2 / 24fps (23.98)
• 8-bit 4:2:0 1920 x 1080 / 24, 25, 30, 50 and 60p
• Resolution 4k - 4096 x 2160 pixels
• 18.1 megapixel full-frame (24 x 36 mm)
• Lens coverage 24mm (h) x 36mm (v)
• ISO 25600 for low noise in low light video capture
• ISO 51200 for stills lo 50 to an H2 to Max 204800
• 61 Point auto focus AF system
• 3.2" LCD, 1,040,000 dot resolution
• 10 fps Stills burst mode
• Canon dual DIGIC 5+ image processors
• Stills RAW, JPEG, with simul rec. of both formats
• Uncompressed YCbCr 4:2:2 signal via ext recorder
• Canon log gamma (Hi Color Grading) like C300
• Weight 2.6 Lbs. (Body only)
CANON 5D MK III
EOS 5D mark III EF
• 1080/30p, 24p, 25p; 720/60p, 50p; 480/30p, 25p
• 22.3 MP FF CMOS sensor 5760 (h) x 3840 (v) pixels
• Lens coverage 36mm (h) x 24mm (v)
• Extended ISO range (50-102400)
• Shutter: 1/8000 - 30 seconds
• 3.2" Clear view high resolution LCD
• 6.0 FPS continuous mode
• 61-Point auto focus high density AF
• DIGIC 5+ image processor
• Built-In HDR and multiple exposure modes
• Dual CF and SD memory card slots SDHC SDXC
• Durable magnesium-alloy construction
• H.264/MPEG -4 AVC codec
• Dual-axis electronic level indicator
• WFT-E7A wireless File transmitter (compatible)
• GP-E2 GPS receiver (compatible)
• Weight 1.79 Lbs. (Body only)
CANON 5D MK II
EOS 5D mark II EF
• 1920 x 1080 30p HD video capture
• 21.1 Megapixel FF sensor 5616 (h) x 3744 (v) pixels
• Lens coverage 36mm (h) x 24mm (v)
• ISO 100 to ISO 6400 (50-25600)
• Shutter: 1/8000 - 30 seconds
• 3.0" High resolution LCD display
• 3.9 fps Burst mode
• 9-Point AF sensor array
• Ratio 3:2, 16:9/ live view mode
• Dust & weather-resistant
• Self cleaning sensor
• Mov. motion, stills JPEG, RAW
• Weight 1.79 Lbs. (Body only)
CANON 7D EOS
EOS 7D EF
• 1920 x 1080 30p (29.97), 24p (23.976) or 25p fps
• 1280 x 720 (50p / 60p (59.94) fps
• 640 x 480 SD/VGA at (50p / 60p (59.94) fps
• 18.0 Megapixels
• Lens coverage 22.3mm (h) x 14.9mm (v)
• Shutter: 1/8000 - 30 seconds
• 19-Point AF sensor array
• 3.0" LCD
• Selectable video exposure + frame rates
• Dust & weather resistant
• 100% Viewfinder
• Self cleaning sensor
• ISO 100-6400 (expandable to 12800)
• 8fps Burst mode
• Weight 1.8 Lbs. (Body only)
ARRI ALEXA PLUS
Pro Super 35mm Digital
• 1 to 60 fps
• Frame rate .75 - 60 fps, adj with 1/1000 fps precision
• Shutter electronic 5.0° - 359.0° with 1/10° precision
• ASA 800 with 160 to 2560 EI (exposure index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 13 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• ARRI wireless 3D ready with lens synchronization
• ARRI LDS (Lens Data System) with built in motion sensors
• Internal SxS pro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs.
CANON REBEL T2I
Rebel T2i EF
• 1920 x 1080 30p (29.97) / 24p (23.976) / 25p
• 1280 x 720 (HD), 60p (59.94) / 50p
• 640 x 480 (SD), 60p (59.94) / 50p
• 18.0 MP CMOS (APS-C) sensor
• ISO 100-6400, expandable to 12800
• Resolution 5184 x 3456
• Lens coverage 22.3 (h) x 14.9mm (v)
• Canon APS-C (1.6x crop factor)
• Advanced live view
• 3.0" 1.04 Million dot clear view LCD
• Burst mode 3.7 fps RAW, JPEG, or RAW+JPEG
• 63-Zone metering/9-point AF system
• Compatible with SD, SDHC, and SDXC
• Eye-Fi menu status indicator support
• Shutter speed 30 - 1/4000 seconds
• Weight 1.7 Lbs. (Body only)
ARRI ALEXA EV
Pro Super 35mm Digital EV
• 1 to 60 fps
• Frame rate .75 - 60 fps, adj with 1/1000 fps precision
• Shutter electronic 5-359 with 1/10 precision
• ASA 800 with 160 to 2560 EI (Exposure Index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 13 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• Internal SxS pro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs
CANON REBEL T3I
Rebel T3i EF
• 1920 x 1080/30p/24p
• 1280 x 720 (50p/60p (59.94) fps
• 640 x 480 SD/VGA (30p (29.97) and 25p fps
• 18MP APS-C CMOS sensor
• ISO 100-6400 expanded to 12,800
• Canon APS-C (1.6x crop factor)
• Lens coverage 22.3 (h) x 14.9mm (v)
• SD/SDHC/SDXC memory card slot
• 3.0" Clear view Vari-Angle LCD
• Full HD movie mode with manual exposure
• Compatible with Canon EF and EF-S lenses
• 3.7 Frames/Second continuous shooting
• 63 Zone dual-layer metering / 9-point AF
• Intelligent auto mode
• Weight .44 Lbs. (Body only)
NIKON D4
D4 AF-S, AF-S
• 1080p video at 30 or 24fps in H.264/MPEG-4 AVC HD
• 30p 4:2:2 (8bit) Uncompressed HDMI 1080p recording
• 16.2Mp CMOS sensor
• Lens coverage 36.0 x 23.9mm
• 11 fps in FX-format
• Nikon FX-format, DX, crop mode
• EXPEED3 Image processor
• 3.2" LCD screen with Live View
• AF-S & AF-I NIKKOR lens compatible
• RAW, TIFF, JPEG, RAW+JPEG Files
• ISO 100-12800
• Matrix, center-weighted, spot metering
• CompactFlash type 1 & XQD compatible
• Weight 2.95 Lbs. (Body only)
NIKON D800E
D800e AF-S, AF-I
• 1920 x 1080/30/25/24p HD video capture
• 30p 4:2:2 (8bit) uncompressed HDMI 1080p recording
• 36.3Mp CMOS FX format sensor
• Lens coverage 36mm (h) x 24mm (v)
• ISO 100-6400 (High sensitivity mode: 50-25600)
• Shutter 1/8000 - 30 seconds
• 3.2" LCD monitor
• 6.0 FPS continuous mode
• 51-Point Auto Focus AF
• Optimised for NEF raw file capture
• Low pass filter with Anti-Aliasing removed
• Nikon F Mount/Eye-Level Pentaprism Viewfinder
• Built-In flash + i-TTL flash control
• Matrix/center-weighted/spot metering
• High speed CF and SD card slots SDXC compatible
• Weight 2.2 Lbs. (Body only)
RED EPIC
Pro 5k Digital Camera
• 300 fps 2K/ 200 fps 3K/ 150 fps 4K/ 150 fps 4.5K/ 120 fps 5K
• 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• Resolution: 5120 x 2700
• S35 Aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module - (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• Weight 5 Lbs. (Body only)
RED SCARLET X
5k Digital Camera
• 120 fps 1k/ 60 fps 2K/ 48 fps 3K/ 30 fps 4K/ 12 fps 5K
• 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• 6 fps with 5K FF, HDRx On 12 fps with 4K HD, HDRx On
• Resolution: 5120 x 2700
• S35 Aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• REDLINK wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• PL mount or Al Canon EF mount optional
• Weight 5 Lbs. (Body only)
RED ONE MX SSD
Mysterium-X SSD
• 120 fps 2K/ 60 fps 3K/ 48 fps 4k/ 30 fps 4.5K
• 23.98, 24, 25, 29.97 fps @ 4.5K, 4K plus 50, 59.94 fps @ 3K, 2K
• ASA: 800 with 13 plus stops latitude
• Pixel array: 5120 x 2700
• Max image area 4480 (h) x 2304 (v)
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz Audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
• Weight 10 Lbs. (Body only)
RED ONE MX
Mysterium-X
• 120 fps 2K/ 60 fps 3K/ 48 fps 4k/ 30 fps 4.5K
• 23.98, 24, 25, 29.97 fps @ 4.5K, 4K plus 50, 59.94fps @ 3K, 2K
• ASA: 800 with 13 plus stops latitude
• Pixel array: 5120 x 2700
• Max image area 4480 (h) x 2304 (v)
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (CF) module : (16GB media)
• RED RAID (DRIVE): (320GB or 640GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 24.2mm (h) x 12.5mm (v) x 27.3mm (d)
• Weight 10 Lbs. (Body only)
SONY F3 S-LOG
CineALTA (4:4:4 S-Log)
• Frame rate 59.94i, 50i, 29.97P, 25P, and native 23.98P
• 3G-SDI, dual-link 1080p 4:4:4 RGB 30p or 4:2:2 60p
• Resolution 1920 x 1080, 1280 x 720, 1440 x 1080
• Sensitivity (2000 lx, 89.9% reflectance) T11 ISO800 (typical)
• Exmor S35 equivalent CMOS sensor
• Selectable gamma curves
• RGB 4:4:4 with S-LOG gamma (available)
• PL mount for professional lenses
• Built in filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Gain -3, 0, 3 ,6, 9, 12, 18 dB, AGC
• Shutter 1/32 to 1/2000 seconds
• Slow shutter 2-8 frames
• White balance preset (3,200 K), memory A, memory B/ATW
• Recording format HD HQ mode: MPEG-2 MP@HL, 35 Mbps / VBR
• HD SP Mode: MPEG-2 MP@H-14,25 Mbps / CBR:
• Audio: LPCM (16 bits, 48 kHz, 2 channels)
PANASONIC AG HVX
AG HVX-200 A or B
• 1/3" 3-CCD 16:9 HD/DVCPRO/DV cinema P2 series camera
• 1080/60i 1080/24p 1080/24p 1080/30p
• 720p: 12 18 20 22 24 26 30 32 36 48 60 fps
• Stand def 480/60i 480/24p 480pA 480/30p
• 1/3" 16:9 progressive 3-CCD with 1080/60p scanning
• Zoom 4.2 to 55mm (35mm equivalent: 32.5 to 423)
• 2 x P2 card slots with hot swap capability loop pre-record
• New DSP with 14-bit A/D conversion
• Weight 5.5 Lbs
CANON XL-2
XL-2
• 16:9 and 4:3 aspect ratio shooting formats
• Variable frame rates
• Customizable cine look
• Even greater 3 CCD performance
• Total image control
• XL Mount interchangeable lens system
• Fluorite zoom lens with optical image stabilization
• SMPTE time code
• Custom presets
• Professional audio connections
• Open architecture design
CANON C300 EF
EOS C300 4k EF
• 1920A-1080 at 23.98p, 29.97p and 59.94i fps
• 1280A-720 1-60p slow motion
• Resolution 4k - 3840 x 2160 resolution
• Lens coverage 24.6 (h) x 13.8mm (v)
• ISO 800 native (up to 20,000 ISO)
• S35mm equivalent 16:9 LARGE CMOS sensor
• Canon DIGIC DV III image processor
• Canon XF codec
• 2 XLR ports, genlock, timecode, LANC, HDSDI HDMI outputs
• 2 Cf card slots with simultaneous rec/ 50 Mbps 422 8-bit mpeg2
• Built-in Waveform Vectorscope
• WFT Wi-fi port for remote control from cpu or tablet
• Painting controls for scene files
• EF lens mount for broad compatibility
SONY F3
Cine ALTA
• Frame rate 59.94i, 50i, 29.97P, 25P, and native 23.98P
• Resolution 1920 x 1080, 1280 x 720, 1440 x 1080
• Sensitivity (2000 lx, 89.9% reflectance) T11 ISO800 (typical)
• Exmor S35 equivalent CMOS sensor
• Selectable gamma curves
• S-LOG gamma RGB 4:4:4 (available)
• PL mount for professional lenses
• Built in filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Gain -3, 0, 3 ,6, 9, 12, 18 dB, AGC
• Shutter 1/32 to 1/2000 seconds
• Slow shutter 2-8 frames
• White balance preset (3,200 K), memory A, memory B/ATW
• Recording format HD HQ mode: MPEG-2 MP@HL, 35 Mbps / VBR
• HD SP mode: MPEG-2 MP@H-14,25 Mbps / CBR
• Audio: LPCM (16 bits, 48 kHz, 2 channels)
PANASONIC DVX-100 B
DVX-100 B 24P
• 480i/60 (NTSC), 480p/24fps, and 480p/30 fps
• 60i (525i) (30P, 24P or 24P advance)
• 4:3 and 16:9 letterbox modes
• 1/3-inch interline transfer type CCD x 3
• Sensitivity F11.0 at 2000 lux
• Leica DICOMAR with IS 10x f1.6 4.5 to 45mm
• In camera ND filters, 1/8ND, 1/64ND
• LCD monitor: 3.5-inch LCD color monitor, 210,000 pixels
• 6 x 9 anamorphic - letterbox and digital squeeze
• 5-1/2" x 6-5/16" x 14-3/8" (139 x 160 x 364 mm)
• 6.35 mm wide metal tape (mini DV cassette)
• Weight 4.19 Lbs
PANASONIC DVX-100 A
DVX-100 A 24P
• 480i/60 (NTSC), 480p/24fps, and 480p/30 fps
• 60i (525i) (30P, 24P or 24P advance)
• 4:3 and 16:9 Letterbox modes
• 1/3-inch interline transfer type CCD x 3
• Sensitivity F11.0 at 2000 lux
• Leica DICOMAR with IS 10x f1.6 4.5 to 45mm
• In camera ND filters, 1/8ND, 1/64ND
• LCD monitor: 3.5-inch LCD color monitor, 210,000 pixels
• 5-1/2" x 6-5/16" x 14-3/8" (139 x 160 x 364 mm)
• 6.35 mm wide metal tape (mini DV cassette)
• Weight - 3.7 Lbs
CANON GL-2
GL-2
• Professional L-Series fluorite lens
• Genuine canon optics: 20X optical zoom lens
• 3 CCD with pixel shift technology
• Optical image stabilizer
• 1.7 Mega pixel still images [1100 x 1128]
• Audio and video inputs/outputs
• Digital video format and IEEE 1394 (DV in/out terminal)
• MultiMediaCard / SD memory card capability
SPECIALTY
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
MEDIA/RECORDERS
AUDIO
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
ELECTRONIC GEAR
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
SUPPORT SYSTEMS
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.
