DIGITAL CINEMA
Digital S.35mm
ARRI ALEXA MINI
ARRI ANAMORPHIC 4:3 RAW LICENSE
• ProRes 444XQ, 444, 422(HQ), 422, 422(LT), ARRIRAW
• Sensor - 35mm format ARRI ALEV III CMOS
• 16:9 4K UHD: 3200 x 1800
• 16:9 3.2K: 3200 x 1800
• 16:9 2K: 2868 x 1612
• 16:9 HD: 2880 x 1620
• Frame Rate 0.75-200 Fps
• Base ISO - 800 ASA
• Latitude - 14 Stops
• Dimensions - 7.3 x 4.9 x 5.5
• Weight - 5 Lbs
RED WEAPON HELIUM 8K
Super 35 Sensor 8K - 34.5 Megapixel
• RED Carbon Fiber Weapon Helium 8k
• 16.5 stops of dynamic range
• 300 MB/s data speeds
• REDCODE RAW Apple ProRes or Avid DNxHR/HD
• Upgrade path to WEAPON 8K VV
• 60 fps @ 8K FF 8192x4320
• 75 fps @ 8K 2.4:1 8192x3456
• 60 fps @ 7K FF 7168x3780
• 75 fps @ 7K 2.4:1 7168x3024
• 75 fps @: 6K FF 6144x3240
• 100 fps @ 6K 2.4:1 6144x2592
• 96 fps @ 5K FF 5120x2700
• 120 fps @ 5K 2.4:1 5120x2160
• 120 fps @ 4K FF 4096x2160
• 150 fps @ 4K 2.4:1 4096x1728
• 150 fps @ 3K FF 3072x1620
• 200 fps @ 3K 2.4:1 3072x1296
• 240 fps @ 2K FF 2048x1080
• 300 fps @ 2K 2.4:1 2048x864
• Carbon Fiber, Magnesium, Aluminum Alloy
• Weight 3.3 Lbs
• Operating Temp 0-40c (32f-104f)
RED EPIC-W HELIUM 8K
Super 35 Sensor 8K - 34.5 Megapixel
• RED Epic Weapon Helium 8k
• 8K 2.4:1 resolution up to 30 fps
• 16.5± stops of dynamic range
• 275 MB/s data speeds w/ 512GB & 1TB MINI-MAG
• REDCODE RAW + Apple ProRes or Avid DNxHR/HD
• Upgrade path to WEAPON 8K VV
• 30 fps @ 8K FF 8192x4320
• 75 fps @ 7K FF 7168x3780
• 40 fps @ 7K 2.4:1 7168x3024
• 75 fps @ 6K FF 6144x3240
• 100 fps @ 6K 2.4:1 6144x2592
• 96 fps @ 5K FF 5120x2700
• 120 fps @ 5K 2.4:1 5120x2160
• 120 fps @ 4K FF 4096x2160
• 150 fps @ 4K 2.4:1 4096x1728
• 150 fps @ 3K FF 3072x1620
• 200 fps @ 3K 2.4:1 3072x1296
• 240 fps @ 2K FF 2048x1080
• 300 fps @ 2K 2.4:1 2048x864
• Magnesium, and Aluminum Alloy
• Weight 3.35 Lbs
• Operating Temp 0-40c (32f-104f)
ARRI ALEXA XT PLUS
ARRI RAW 35mm Digital
• 0.75 -120 fps ARRIRAW 16:9
• 0.75 to 48 fps in 4:3 (to 96 fps w/SUP 9.0)
• ASA 800 with 160 to 3200 EI (exposure index)
• Resolution 1920x1080, 2048x1152, 2880x1620, 2880x2160
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 14 stops ARRI dynamic range
• Color space 4:4:4
• In-Cam Formats ARRIRAW, ProRes 4444, ProRes HQ Proxy
• Bit depth 16 Linear
• ARRI wireless 3D ready with lens synchronization
• ARRI LDS (Lens Data System) with built in motion sensors
• Internal Codex Capture Drives or Sony SxS Pro Cards
• Weight 13.8 Lbs.
ARRI AMIRA
S35 4:4:4 up to 200 FPS
• 0.75 - 200 fps full sensor
• ASA 800 w/ 160 to 3200 EI
• 35mm Format ARRI ALEV III CMOS 28.17x18.13mm
• Electronic Shutter, 5 to 356 Degrees
• 14 Stops ARRI Dynamic Range
• Integrated ND Filtration .6, 1.2, 2.1
• Sound 20 dB(A)
• Weight 9.2 Lbs. w/ PL Mount
• OLED AMIRA Multi Viewfinder w/ LCD
• 2x HD-SDI out 1.5G, 3G w/ audio, metadata
• 3,5mm headphone jack, Bluetooth audio
• Output Hirose 12pin, 12V D-Tab, Hirose 4pin, Lemo 2pin, 24V
• Genlock, HD-SDI, Timecode In/ Out, BNC Inputs
• CFast 2.0 Memory, USB Stick for importing AMIRA Look Files
• Mounts PL, B4, Canon EF
• Records 1920x1080 ProRes HD, HD Outputs, 2048 x 1152 ProRes
• Size inches, 12.1L x 5.4W x 5.8H
ARRI ALEXA PLUS
Pro Super 35mm Digital
• 1 to 60 fps
• Frame rate .75 - 60 fps, adj with 1/1000 fps precision
• Shutter electronic 5.0° - 359.0° with 1/10° precision
• ASA 800 with 160 to 2560 EI (exposure index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 13 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• ARRI wireless 3D ready with lens synchronization
• ARRI LDS (Lens Data System) with built in motion sensors
• Internal SxS pro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs.
ARRI ALEXA EV
Pro Super 35mm Digital EV
• 1 to 60 fps
• Frame rate .75 - 60 fps, adj with 1/1000 fps precision
• Shutter electronic 5-359 with 1/10 precision
• ASA 800 with 160 to 2560 EI (Exposure Index)
• Resolution 1920 x 1080 or 2880 x 1620
• Color temp 2,000 - 11,000 K with 100 degree steps
• Sensor ALEV III CMOS with Dual Gain Architecture (DGA)
• Exposure latitude 13 stops high dynamic range
• Color space 4:4:4
• Base image gamma Log-C or ARRI RAW
• Bit depth 10 or 12
• Internal SxS pro recording
• On/Off board codex, SRW-1, NanoFlash recording
• ProRes 4444, ProRes HQ or Proxy
• Weight 13.8 Lbs
RED DRAGON
6k Carbon Fiber Epic
• 300fps 2K/ 200fps 3K/ 150fps 4K/ 150fps 4.5K/ 120fps 5K
• 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps
• 6K,5K,4K,3K,2K RAW (2:1, 2.40:1) Anamorphic
• BASE ISO: 2000, 16.5 stops
• Resolution: 6144 x 3160
• 19 MEGAPIXEL DRAGON
• Bit Depth: 12 -16bit R3D RAW
• 2 CH Uncompressed 24-bit 48Khz Audio
• SMPTE Timecode, HANC Metadata
• In-Board Rec. Formats: REDRAW
• REDFLASH (SSD) Module: (64, 128, 256, 512 GB Media)
• Wireless, Ethernet, RS232, GPI Trigger
• Lens Coverage 30.7mm(h) x 15.8mm(v) x 34.5mm (d)
• 4lbs. Body only
RED EPIC
Pro 5k Digital Camera
• 300 fps 2K/ 200 fps 3K/ 150 fps 4K/ 150 fps 4.5K/ 120 fps 5K
• 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• Resolution: 5120 x 2700
• S35 Aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module - (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• Weight 5 Lbs. (Body only)
RED SCARLET X
5k Digital Camera
• 120 fps 1k/ 60 fps 2K/ 48 fps 3K/ 30 fps 4K/ 12 fps 5K
• 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
• ASA: 800 with 13.5 stops, (up to 18 stops with HDRx)
• 6 fps with 5K FF, HDRx On 12 fps with 4K HD, HDRx On
• Resolution: 5120 x 2700
• S35 Aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• REDLINK wireless, ethernet, RS232, GPI trigger
• Lens coverage 27.7mm(h) x 14.6mm(v) x 31.4mm (d)
• PL mount or Al Canon EF mount optional
• Weight 5 Lbs. (Body only)
RED ONE MX SSD
Mysterium-X SSD
• 120 fps 2K/ 60 fps 3K/ 48 fps 4k/ 30 fps 4.5K
• 23.98, 24, 25, 29.97 fps @ 4.5K, 4K plus 50, 59.94 fps @ 3K, 2K
• ASA: 800 with 13 plus stops latitude
• Pixel array: 5120 x 2700
• Max image area 4480 (h) x 2304 (v)
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz Audio
• In-Board rec. formats: REDRAW
• REDFLASH (SSD) module : (64, 128, 256GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
• Weight 10 Lbs. (Body only)
RED ONE MX
Mysterium-X
• 120 fps 2K/ 60 fps 3K/ 48 fps 4k/ 30 fps 4.5K
• 23.98, 24, 25, 29.97 fps @ 4.5K, 4K plus 50, 59.94fps @ 3K, 2K
• ASA: 800 with 13 plus stops latitude
• Pixel array: 5120 x 2700
• Max image area 4480 (h) x 2304 (v)
• S35 aperture sensor 14 Megapixel Mysterium-X
• Bit depth: 12 -16bit
• SMPTE timecode, HANC metadata, 24-bit 48Khz audio
• In-Board rec. formats: REDRAW
• REDFLASH (CF) module : (16GB media)
• RED RAID (DRIVE): (320GB or 640GB media)
• Wireless, ethernet, RS232, GPI trigger
• Lens coverage 24.2mm (h) x 12.5mm (v) x 27.3mm (d)
• Weight 10 Lbs. (Body only)
SONY CINE ALTA F-55
4k 4:2:2
• Frame rate 24, 30, 60 fps @ 4K 60 fps @ 1080
• Frame rate 180 fps @ 2K, 240 fps @ 2K RAW
• Resolution 4K, 2K, 1080
• Sensor size 24x12.7mm
• Base ISO 1250
• 14 stops lattitude
• 10 Bit XAVC MPEG-2 Long GOP Optional
• 16 Bit Linear 2K/4K RAW
• PL mount for professional lenses
• Built in filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Shutter 4.2 - 360 Deg (electrical shutter)
• Media SxS x2, ExpressCard 34 slots, SD card slot
• Slow shutter 2, 3, 4, 5, 6, 7, and 8 frame accumulation
• White bal Preset 3200K, 4300K, 5500K, Memory, ATW
• Operating temp 32 - 104 deg F, 0 - 40 deg C
SONY F3 S-LOG
CineALTA (4:4:4 S-Log)
• Frame rate 59.94i, 50i, 29.97P, 25P, and native 23.98P
• 3G-SDI, dual-link 1080p 4:4:4 RGB 30p or 4:2:2 60p
• Resolution 1920 x 1080, 1280 x 720, 1440 x 1080
• Sensitivity (2000 lx, 89.9% reflectance) T11 ISO800 (typical)
• Exmor S35 equivalent CMOS sensor
• Selectable gamma curves
• RGB 4:4:4 with S-LOG gamma (available)
• PL mount for professional lenses
• Built in filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Gain -3, 0, 3 ,6, 9, 12, 18 dB, AGC
• Shutter 1/32 to 1/2000 seconds
• Slow shutter 2-8 frames
• White balance preset (3,200 K), memory A, memory B/ATW
• Recording format HD HQ mode: MPEG-2 MP@HL, 35 Mbps / VBR
• HD SP Mode: MPEG-2 MP@H-14,25 Mbps / CBR:
• Audio: LPCM (16 bits, 48 kHz, 2 channels)
CANON C300 PL
EOS C300 4k PL
• 1920A-1080 at 23.98p, 29.97p and 59.94i fps
• 1280A-720 1-60p slow motion
• Resolution 4k - 3840 x 2160 resolution
• Lens coverage 24.6 (h) x 13.8mm (v)
• ISO 800 native (up to 20,000 ISO)
• S35mm equivalent 16:9 LARGE CMOS sensor
• Canon DIGIC DV III image processor
• Canon XF codec
• 2 XLR ports, genlock, timecode, LANC, HDSDI HDMI outputs
• 2 x cf card slots with simultaneous rec/ 50 Mbps 422 8-bit mpeg2
• Built-in Waveform Vectorscope
• WFT Wi-fi port for remote control from cpu or tablet
• Painting controls for scene files
• PL lens mount to accept cinema lenses
CANON C300 EF
EOS C300 4k EF
• 1920A-1080 at 23.98p, 29.97p and 59.94i fps
• 1280A-720 1-60p slow motion
• Resolution 4k - 3840 x 2160 resolution
• Lens coverage 24.6 (h) x 13.8mm (v)
• ISO 800 native (up to 20,000 ISO)
• S35mm equivalent 16:9 LARGE CMOS sensor
• Canon DIGIC DV III image processor
• Canon XF codec
• 2 XLR ports, genlock, timecode, LANC, HDSDI HDMI outputs
• 2 Cf card slots with simultaneous rec/ 50 Mbps 422 8-bit mpeg2
• Built-in Waveform Vectorscope
• WFT Wi-fi port for remote control from cpu or tablet
• Painting controls for scene files
• EF lens mount for broad compatibility
CANON C100 EF
EOS C100 2k EF
• Frame rates 1920x1080 60/50i, 24/25p, PF30, PF24
• Dual Pixel CMOS AF Hardware Upgrade
• ISO 320 to 80,000
• Sensor CMOS - Super 35mm 8.3MP
• Uncompressed HDMI Output w Timecode
• Canon Log and Wide DR Gamma
• Media Dual SD/SDHC/SDXC Memory Card Slots
• Filtration Built-In ND Filters with Manual Controls
• Audio Two XLR Connectors
SONY F3
Cine ALTA
• Frame rate 59.94i, 50i, 29.97P, 25P, and native 23.98P
• Resolution 1920 x 1080, 1280 x 720, 1440 x 1080
• Sensitivity (2000 lx, 89.9% reflectance) T11 ISO800 (typical)
• Exmor S35 equivalent CMOS sensor
• Selectable gamma curves
• S-LOG gamma RGB 4:4:4 (available)
• PL mount for professional lenses
• Built in filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
• Gain -3, 0, 3 ,6, 9, 12, 18 dB, AGC
• Shutter 1/32 to 1/2000 seconds
• Slow shutter 2-8 frames
• White balance preset (3,200 K), memory A, memory B/ATW
• Recording format HD HQ mode: MPEG-2 MP@HL, 35 Mbps / VBR
• HD SP mode: MPEG-2 MP@H-14,25 Mbps / CBR
• Audio: LPCM (16 bits, 48 kHz, 2 channels)
BOLEX D16
Digital Raw 2k 4:4:4
• Frame rates up to 32fps 2K, 60fps 720p, 90fps 480p
• Resolution 2048 x 1152 S16mm, 1920 x 1080
• 1280 x 720 in 720p, 720 x 480 in 480p
• Color depth 12 bit 4:4:4, Adobe CinemaDNG
• File size 2 to 3 MB per frame in RAW
• Sensor size 1 CCD: 12.85mm x 9.64mm
• Pixel size 5.5 micron
• Sound Balanced, 2 ch 24 bit, 96 kHz via XLR
• Viewfinder 320x240, 2.4diagonal
• C-mount, PL, EF, M43, and Turret avail
• Power Internal battery, 12V External via 4 pin XLR port
• Ports HDMI, 2 XLR, 1/8 video, headphone, USB 3.0
• ISO 100, 200, 400
SPECIALTY
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
MEDIA/RECORDERS
AUDIO
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
ELECTRONIC GEAR
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
SUPPORT SYSTEMS
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.
