RED Mysterium X SONY F3 ARRI ALEXA Plus
Canon 7D EOS Ronford-Baker Tripods RED Prime Lenses
Arri 435 ES Moviecam Compact MKII BOLEX REX-5
MOVIECAM COMPACT
MK II - 1000 ft Studio Magazine
MOVIECAM COMPACT MK II - 1000 ft Studio Magazine
• Differential: 1000 ft
• Type: Sync sound
• Image format: 35mm, Super 35mm
• 1-60 rps foreward, 12-32 fps reverse
• Image steadiness: 10/00 of frame height
• 24 volt
• Sound: DB level 20
• Temperture: F) -4 to +122 C) -20 to +50
MOVIECAM COMPACT
MK II - 400 ft Steadicam Magazine
MOVIECAM COMPACT MK II - 400 ft Steadicam 

Magazine
• Differential: 400 ft
• Type: Sync sound
• Image format: 35mm, Super 35mm
• 1-60 fps foreward, 12-32 fps reverse
• Image steadiness: 10/00 of frame height
• 24 volt
• Sound: DB level 20
• Temperture: F) -4 to +122 C) -20 to +50
MOVIECAM COMPACT
MK II - 400 ft Studio Magazine
MOVIECAM COMPACT MK II - 400 ft Studio 

Magazine
• Differential: 400 ft
• Type: Sync sound
• Image format: 35mm, Super 35mm
• 1-60 fps foreward, 12-32 fps reverse
• Image steadiness: 10/00 of frame height
• 24 volt
• Sound: DB level 20
• Temperture: F) -4 to +122 C) -20 to +50
ARRI BL IVS
1000 ft Studio Magazine
ARRI BL IVS 1000 ft Studio Magazine
• Coaxial: 1000 ft
• Type: Sync sound
• Image format: 35mm, Super 35mm
• 24/25 fps crystal, 3-43 fps
• 12/24 volt
• Sound: DB level
ARRI BL IVS
400 ft Studio Magazine
ARRI BL IVS 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound
• Image format: 35mm, Super 35mm
• 24/25 fps crystal, 3-43 fps
• 12/24 volt
• Sound: DB level
ARRI III 3RD GEN
1000 ft Studio Magazine
ARRI III 3RD GEN 1000 ft Studio Magazine
• Differential: 1000 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI III 3RD GEN
400 ft Studio Magazine
ARRI III 3RD GEN 400 ft Studio Magazine
• Differential: 400 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI III 3RD GEN
200 ft Studio Magazine
ARRI III 3RD GEN 200 ft Studio Magazine
• Differential: 200 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI 35-3C
400 ft Studio Magazine
ARRI 35-3C 400 ft Studio Magazine
• Differential: 400 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI 35-3C
200 ft Studio Magazine
ARRI 35-3C 200 ft Studio Magazine
• Differential: 200 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI 35-2C
400 ft Studio Magazine
ARRI 35-2C 400 ft Studio Magazine
• Differential: 400 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI 35-2C
200 ft Studio Magazine
ARRI 35-2C 200 ft Studio Magazine
• Differential: 200 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 4-125 fps forward & reverse
• 12/24 volt
• Sound: MOS
ARRI 435 ES
400 ft Steadicam Magazine
ARRI 435 ES 400 ft Steadicam Magazine
• Differential: 400 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 1-150 fps forward & reverse
• 30 volt
• Sound: MOS
ARRI 435 ES
1000 ft Studio Magazine
ARRI 435 ES 1000 ft Studio Magazine
• Differential: 1000 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 1-150 fps forward & reverse
• 30 volt
• Sound: MOS
ARRI 435 ES
400 ft Studio Magazine
ARRI 435 ES 400 ft Studio Magazine
• Differential: 400 ft
• Type: MOS
• Image format: 35mm, Super 35mm
• 1-150 fps forward & reverse
• 30 volt
• Sound: MOS
ARRI SR3 HS
400 ft Studio Magazine
ARRI SR3 HS 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound Silent/MOS
• Image format: 16mm, Super 16mm
• Speed: 5-150 fps crystal forward
• 12/ 24 volt
• Noise level: 27 db(A) +/- 2 db(A)
• Temperature range: F) -4 to + 122 C) -20 to +50
ARRI SR3 ADVANCED
400 ft Studio Magazine
ARRI SR3 ADVANCED 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound Silent/MOS
• Image format: 16mm & Super 16mm
• Speed: 5-75 fps crystal forward
• 12/ 24 volt
• Noise level: 20 db(A) + 2 db(A)
• Temperature range: F) -4 to + 122 C) -20 to +50
ARRI SR2 HS
400 ft Studio Magazine
ARRI SR2 HS 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound Silent/MOS
• Image format: 16mm & Super 16mm
• Speed: 5-75 fps crystal forward
• 12 volt dual block
• Noise level: +1 db (A)/ 32 db (A) @ 24 fps
• Noise level: 32 dB (A) at 24 fps, 56 dB (A) at 150 fps
• Temperature range: -20°C to + 50°C (-4°C - 122°F)
ARRI SR2
400 ft Studio Magazine
ARRI SR2 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound Silent/MOS
• Image format: 16mm & Super 16mm
• Speed: 5-75 fps crystal forward
• 12 volt dual block
• Noise level: 25 + 1 dB (A)
• Temperature range: -20°C to + 50°C (-4°C - 122°F)
AATON LTR-7
400 ft Studio Magazine
AATON LTR-7 400 ft Studio Magazine
• Differential: 400 ft
• Type: Sync sound Silent/MOS
• Image format: 16mm, Super 16mm
• Speed: 8-32 fps crystal
• Single frame 1 fps avail exposure: 1/4s in test position
• 12 volt
ARRIFLEX 16-BL
400 ft Studio Magazine
ARRIFLEX 16-BL 400 ft Studio Magazine
• Differential: 400 ft
• Type: Sync sound Silent/MOS
• Image format: Standard 16mm
• Speeds: 12, 24, 50, 60 fps. crystal
• Tobin TXM-9 (ext motor): 23.98, 24, 25, 29.97, 18-50 fps variable
• Tobin TXM-19 (ext motor): 20, 24, 25, 30, 40 fps
• Tobin TXM-20 (ext motor): 18, 21, 23.98, 24, 29.97, 30, 36, 42, 47.95, 48 fps
• Tobin TXM-25 (ext motor): 9, 12, 12.5, 18.75, 24, 25, 30, 37.5 fps
• 12 volt
• Sound level: 31 dB at 36"
ECLAIR NPR
400 ft Studio Magazine
ECLAIR NPR 400 ft Studio Magazine
• Coaxial: 400 ft
• Type: Sync sound Silent/MOS
• Image format: Standard 16mm
• Speed: 4 - 48 fps crystal (depending on motor)
• 12 volt
• Sound level: 31 dB at 36"
ARRI S/B
400 ft Studio Magazine
ARRI S/B 400 ft Studio Magazine
• Differential: 400 ft
• Type: Sync sound Silent/MOS
• Image format: Standard 16mm
• Speed: 6-48 fps crystal forward & reverse (depending on motor)
• 8 Volt, 12 volt DC output - 3p Tuchel
ARRI S - ST
400 ft Studio Magazine
ARRI S - ST 400 ft Studio Magazine
• Differential: 400 ft
• Type: Sync sound Silent/MOS
• Image format: Standard 16mm
• Speed: 6-48fFps crystal forward & reverse (depending on motor)
• 8 volt, 12 volt DC output - 3p Tuchel
An Incredibly Diverse Array of Lenses
We take extra special care of our lenses in order to ensure that your vision is captured with the highest quality possible. The OSC Camera House maintains a most extensive and diverse inventory of lenses, filters, adapters and mounts. Our facility is equipped with a full service camera preparation lab where lenses can be mounted, set and calibrated to perfection.
Digital Monitors, Media, & Audio
Check out our professional audio-video department complete with video packages, professional visual monitors, playback and the latest wireless video technology to fit all your digital cinematic needs. OSC's fine quality in the latest media, recorders and solid state/raid memory lead the way for all your projects, both big and small.
Electronic Equipment
OSC's Electronics allow major studios and filmmakers to build their camera packages with the necessary electronic components. From commercials, television series, features and music videos, we provide a complete range of services to custom fit each project. Check out our Preston FIZ III, CineTape and Digital to Analog Optical Electronics.
Mechanical Outfitting
With a large variety of cameras comes a need to appropriately outfit your optics with mechanical support. All of our mechanics are carefully maintained to meet today's professional camera standards. Our broad array of mechanical outfitting include ARRI's LMB-5 3rd stage, O'Connor O-Box w/ 138mm ring, Chrosziel super light 450W for DSLR and traditional ARRI MB-14 for 6x6 Grads, each having a specific place in your project.
Camera Support
In todays competitive film industry, the right support system is just as vital to a successful production as the cameras themselves. As cameras evolve, so do the supports that carry them allowing photographers to express their creativity using the latest techniques in the trade. That's why we pay special attention to maintaining one of the most diverse array of support systems in the Los Angeles film community.
Now you're playing with Power!
Whether shooting your production with unlimited electrical access or filming on a remote off-the-grid location, Old School Cameras will supply your cameras with all of the batteries, power cables and backups necessary for your creation. We carry a wide selection of top quality industry trusted batteries and accessories including Cine VCLX Anton Bauer Block Batteries for ARRI, ALEXA and RED EPIC camera systems.